‘Painkiller’ was a solid blast of near speed metal from start to finish,. However Judas Priest and ‘Angel Of Retribution’ opts for various moods and styles, with equal part ballads and rockers.
Written by: Dangerzone
ARTIST: Judas Priest
ALBUM: Angel Of Retribution
LABEL: Sony
SERIAL: 519300 2
YEAR: 2005
CD REISSUE: Discogs Reissue List
COUNTRY OF ORIGIN: England
LINEUP: Rob Halford – vocals * K.K Downing – guitars * Glenn Tipton – guitars * Ian Hill – bass * Scott Travis – drums
TRACK LISTING: 01 Judas Rising * 02 Deal With The Devil * 03 Revolution * 04 Worth Fighting For * 05 Demonizer * 06 Wheels Of Fire * 07 Angel * 08 Hellrider * 09 Eulogy * 10 Loch Ness
RATING: 85/100
WEBLINKS: Site Link
Judas Priest Background
Rob Halford’s departure in 1992, his replacement ‘Ripper’ Owens, two ‘sort of’ dud albums ‘Jugulator’ and ‘Demolition’. Did these events really happen?
Fifteen years since Halfords’ last Judas Priest appearance, they’ve returned with an album suggesting that ‘Painkiller’ wasn’t that long ago. This is the ease in which Priest have shifted back to their trademark sound.
With Halford back in the mix this was largely expected. The ‘Ripper’ years saw Glenn Tipton as main songwriter, and without Halford he was sorely exposed. The two Owens albums weren’t quite the classic metal forays so common of Judas Priest.
Hiwever, ‘Angel Of Retribution’ sees them shift back to the cartoon imagery and metal bluster of the 1980’s. It also has some surprising nods to their 70’s origins.
It isn’t their best, but certainly surpasses the likes of ‘Turbo’, while matching ‘Ram It Down’ for metal excess. It’s all been heard before, but a band like Priest can get away with it, after all, they invented it didn’t they?
The Songs
Where ‘Painkiller’ was a solid blast of near speed metal from start to finish, Judas Priest and ‘Angel Of Retribution’ opts for various moods and styles. It has equal part ballads and rockers, something they haven’t attempted to this degree with Halford before – to my ears.
The opening pair of ‘Judas Rising’ and ‘Deal With The Devil’ sets an immediate tone of classic heavy metal Priest style. It has every aspect of their past intact in glorious fashion. Right down to the rampant twin guitar attack and Halford’s victorious lyrics about the all conquering power of metal. This should satisfy all the fans who have been out waiting in the cold for fifteen long years.
‘Revolution’ throws a spanner in the works. It’s an anthem in the vein of ‘United’ or ‘Taking On The World’, with some 70’s shadings in the melody. Quality material, and a track which grows with every listen. ‘Worth Fighting For’ is lite by Priest’s standards. It’s more of a semi ballad with some riffing which is heavy enough to lose that tag.
‘Demonizer’ is this years new metallic character, a new rival for ‘The Hellion’ or ‘The Sentinel’. Standard Judas Priest metal here, heavy but too often heard, a sleepwalker for the band. Biker anthem ‘Wheels Of Fire’ is reminiscent of the ‘Turbo/Ram It Down’ era, minus the keyboards, a harmless, fun rocker.
‘Angel’ meanwhile is a close relation to 1978’s ‘Beyond The Realm Of Death’. This is a sound Priest haven’t dabbled with since 1978 I’d say! An effective, emotive ballad.
‘Hellrider’ is Painkiller revisited, so much so that it must be a leftover from that album. It works regardless. It’s stripped down metal with lashings of double bass drumming and the use of the word ‘megatron’! Another ballad appears with ‘Eulogy’, heavy on piano and atmospherics, suitably eerie.
‘Lochness’ concludes the album at a mammoth thirteen minutes. It never deviates from a medium pace, making it a long listen, despite some epic soloing from the guitar tandem. What saves it are the hilarious lyrics reading ‘Lochness, confess, your terror of the deep, grotesque, monstrosity’.
The chorus is cartoon metal personified and for fifty year old men to be writing this is either sad or a joke on their part! All in good fun and must be heard to be believed, as somehow Judas Priest have outdone themselves in terms of sheer cornball.
In Summary
My initial reaction to the album was mixed but after several weeks and many listens it’s grown on me considerably. Basically it’s everything you want from a Judas Priest album, which is traditional heavy metal.
The heaviness is there, and the guitars have returned to the high pitched squealing after some downtuned nonsense during Halford’s departure. Halford is in fine voice and to step back in as if fifteen years hadn’t happened is a testament to the bands professionalism and longevity.
There are a few tracks which don’t make the grade, namely ‘Worth Fighting For’ and ‘Demonizer’. But show me any Judas Priest album without a duffer or three (after ‘Killing Machine’) and I’ll walk on water gladly.
A fine comeback well worth a listen. Now if only they’d remove all their stale classics from their live set and throw in ‘Hard As Iron’ or ‘Exciter’, then we’d really be in business!
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